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#1
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![]() Having Chantal talking to you about twirling candy would have some kind of effect. No wonder the only vote to DQ was from the female steward.
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#2
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![]() Quote:
really you get to tell them what they are seeing? how do you know the female steward wouldn't love for Chantal to whisper sweet nothings into her ear ?
__________________
ΜΟΛΩΝ ΛΑΒΕ |
#3
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![]() Mostly to annoy Indian Charlie ... here's my take on it.
First contact: (a strong brush or slight bump between TC and Setsuko) ![]() Fault: mutual (Setsuko is getting in slightly under a strong right handed whip - Twirling Candy is a tiring horse and having trouble staying straight despite Rosario's best efforts) Prior to second contact: ![]() Chantal is going left handed and is going to look to come out and do some herding - Twirling Candy is coming in a bit. Second contact: ![]() Fault: mutual between TC and Game On Dude. The latter is coming out to herd - the former is coming in a slight bit. Because Game On Dude's hind gets bumped - it will appear like he mugged TC. Basically - No one can be placed behind Twirling Candy. He was involved in mutual contact with two seperate horses. He was not fouled. The only question is - did the chain reaction bump Setsuko took through no fault of his own cost him a placing? If you believe it did - Game On Dude and Twirling Candy should both be DQ'd. Since Setsuko finished ahead of TC - you'd only be able to DQ Game on Dude and place him 2nd. Would I have DQ'd the winner? No. Would I have expected a DQ of the winner? At most tracks - yes. If you're willing to DQ the winner - you would also have to have been willing to move Setsuko up from 3rd to 1st had Twirling Candy not quit. |
#4
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![]() Video I watched this morning.....
http://www.youtube.com/watch?v=JRw8Lj2MGp4 Doesn't look like Brad Free and Baffert will be going to dinner any time soon. |
#5
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#6
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#7
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#8
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#9
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#10
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#11
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![]() The Krone comment?
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#12
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![]() I don't know who onthescene is, but the account of the story, if of course true, is interesting. If it's not true, that's some creative fiction.
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#13
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